Justin Bartlett

Justin Bartlett

Contact: justin@oclef.com

Teaching Philosophy


Why I teach: music is the excuse, people are the reason

Watching children take delight in music is my favorite part of teaching. Seeing their eyes light up after hearing a new piece ("oh wow, sounds fun!") Adding, unprompted, their own playful touches to the music. Arriving with a wishlist of projects, full of curiosity and ambition. These are my happiest moments as a teacher.

Piano lessons convey so much more than skill acquisition. They are a wonderful way to develop a child’s curiosity, creativity, and confidence. So, music is just our excuse to build meaningful connections with students and share our general love of learning.

How I teach: music as a second language

We acquire our native language intuitively before learning to read. This is also true for music. With beginners, I treat playing and reading as two separate activities which merge over time. Children can have conversations before reading novels, and play rewarding music by ear before opening a score.

Learning this way is more natural and fun — In my experience, music lessons work best when fun and organized, lighthearted and serious, not just one or the other. Children should feel comfortable being themselves and play music they enjoy from the first lesson. Then, curiosity and focus emerge naturally.

Still curious?

If you want to know more about my teaching approach and philosophy, you can find some longer articles here:

3
Projects
0
Presentations
1
Learning Journal

Projects

Learning Melody
Begin Melody
Fixing Intervallic Reading
Review Anchor Note
Annotate Movements
Recognize Melody Flow
Melody Flow
Learning Alberti Bass
Begin Coordination
Annotating Melody for Memorization
Review Page 1
Memorize in Phrases
Basics of Memorization
Begin Page 2
Review Melody For Section A
Fix Fingering
Annotate Movement Patterns
Coordinating
Review A Section
Recognize Driver Hand/Passenger Hand
Fast Learning Strategy
The Importance Of Memorization
Complete A Section
Review Measures 1-23
Learn Measures 24-31
Memorizing A Section
Memorizing A Section 2
Memorizing A Section 3
Starting B Section
Complete B Section
Fix Coordination
Dry Run Entire Composition
Comparing Variations to Memorize
Practice For Memorization
Practice Backward By Section
What to Brute Force Memorize
Strategic Memorization
Practice For Memorization 2
Review Landmarks To Brute Force Memorize
Practice Backward
Fix Octave
Review Landmarks for A Section
Practice A Section
Comparing Variations
Progressive Memory Practice Strategy
Practice For Memorization 3
Dry Run
Review Mistakes in Harmony
Practice From Memory
Practice With No Music
Identify Memory Gap
Identify Difficult Movement
Review Points To Brute Force Memorize
Review
Discuss Progress of Enchanted Moments
Stage 2 Student
Review Sonatina
Preview Bach Prelude
Melodic Ideas
Starting Phrasing and Interpretation
Understanding Sonata Form
Conducting and Cleaning the RH
Conducting and Refining the LH
Conducting and checking the development
Checking the RH | Making a Practice Plan for Correcting Mistakes
Following up on the previous day's practice plan
Reviewing recital repertoire | Checking problem spots | Choreography
Checking the Development | Expression and Technique
Sick Day | Run Through to Check | Reminder to be Musical
Memorizing Complex Hand Transitions
Talking about Practice Diary Entry
Practicing and Polishing Problem Spots Together
Talking about Energy and Character
2026-01-29

Jayanth Panneerselvam

Sonatina in C, Opus 20, No. 1

32 lessons (Project In Progress)
Oct 28, 2025 - Jan 29, 2026
Repertoire
Introduction to Melodic Idea
Learn To Be Self Critical
Stage 2 Student
Analyze Bach Prelude
Melodic Ideas
Assign Homework
Teaching Boys
Memorizing A Section Melody
Review Melody
Memorize Melodic Ideas And Development
Memorize Second Idea
Identify Sets To Memorize
Compare/Contrast Prelude with Sonatina
Learn A Section
A Section Melody From Memory
Analyze Harmony Pattern
Play Harmony Separate
Coordinate Harmony To Melody
Review After Thanksgiving
Review Prelude
Setting Goals
Review Sonatina
Memorize Left Hand As Melody
Thinking of Left Hand as Melody
Divide Into Phrases and Sequences
Identify Parts To Brute Memorize
Learn B Section
Review A Section
Recognizing Chords
Planning Finger/Hand Movement
Learning Melody
Annotating Music
Review Harmony
Annotate Flats
Coordination Attempt
Why Memorizing Is Necessary For Coordination
Coordinating Melody and Harmony m 21-27
Use Pattern For Memory
Review Melody Again
Fix Coordination Visually
Analyzing What To Focus On
Recognizing Patterns In Hand Shapes For Memory
Review B Section Melody
Leverage Pattern In Stretch-To-Natural Hand Shape
Recognize Patterns In Accidentals
Review m 21-27 Melody From Memory
Study Shape of m 28-32 Melody
Pattern of F-sharps and A-flats Accidentals
What It Takes To Be A Piano Student
Segment Harmony Into Two Basic Hand Shapes
Review m 21-27 Melody
Segment Harmony
Recognize Octave or Natural Hand Shape
Standardized Left Hand Movement
Review m 21-27
Patterns in Left Hand Transitions
Review
Last 8 measures
Patterns in Last 8 Measures
Standardize Fingering Pattern
Practice Backwards
Practicing Backwards
Work With Metronome
Progressive Memory/Rhythm Practice
Progressive Memory/Rhythm Practice
The 3 S's of Polishing
Play Through With Metronome
Practicing the Second Half Together

Jayanth Panneerselvam

Short Prelude in C Minor, BWV 934

32 lessons (Project In Progress)
Nov 24, 2025 - Feb 04, 2026
Repertoire

Presentations